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Recent Articles

German Pulp and Lunar Melodrama: The Overlooked Brilliance of Fritz Lang’s WOMAN IN THE MOON (1929)
Essays and Articles

German Pulp and Lunar Melodrama: The Overlooked Brilliance of Fritz Lang’s WOMAN IN THE MOON (1929)

March 30, 2026March 31, 2026
Grace Glowicki’s DEAD LOVER (2025) Review
Reviews

Grace Glowicki’s DEAD LOVER (2025) Review

March 20, 2026
Queer Horror’s Moment: From Subtext to Text
Essays and Articles

Queer Horror’s Moment: From Subtext to Text

March 10, 2026

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Our Article Spotlight (March ’26)

Frightfest Review: THE DESCENT (2005) 4K Restoration World Premiere
Reviews

Frightfest Review: THE DESCENT (2005) 4K Restoration World Premiere

September 9, 2025September 17, 2025
‘The Decade Taste Forgot’ – An Analysis of Ken Russell’s The Devils (1971) and Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom (1975)
Essays and Articles

‘The Decade Taste Forgot’ – An Analysis of Ken Russell’s The Devils (1971) and Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom (1975)

August 5, 2025August 5, 2025
Briony Fer’s conception of Surrealist art practices defined within Jan Švankmajer’s Alice (1988)
Essays and Articles

Briony Fer’s conception of Surrealist art practices defined within Jan Švankmajer’s Alice (1988)

August 12, 2025

Culture Film Publication is the UK’s new home for cult and genre film. Made by film lovers, for film lovers.

We are bringing cult films to all readers through the creation of a diverse and accessible platform. With emphasis on preservation, restoration and exhibition of cult filmmaking, we want to shed light on cinephiles, event organisers, academics, creatives and distributors. Regardless of age or experience, we want to hear about your love for film. Submissions are open – details are on our ‘Get Involved’ page!

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“Cult films last forever.”

Bruce Campbell

Contributor Tyler Guacheron-Land offers a deep dive into to one of genre filmmaking’s forgotten classics: Fritz Lang’s WOMAN IN THE MOON (1929), which was one of the first ‘serious’ science fiction films. Tyler explores the film’s epic scale and attempt to craft what was believed in the 1920’s to be what space exploration would be like. It popularised the ‘countdown’ to blastoff, and featured constructed rockets with liquid fuel and lying positions - the film was advised by rocket scientist Hermann Oberth. It features a female scientist caught in a love triangle and a conspiracy to steal rocket plans, creating a grandiose and melodramatic picture. Despite envisioning breathable air on the moon, the film’s respect for science while balancing dramatic storytelling secured it as an extremely influential piece of science fiction. Are you screening a cult classic or lost bizarro flicks? We want them all! UK based one-off film events, seasons and film clubs or talks, we want to hear from you! Grace Glowicki’s new film DEAD LOVER (2025) releases in UK theatres now! Celina Eve @celinaiev attended the festival hit’s press screening in Soho, and has reviewed the film for Culture. The film follows a gravedigger craving love, who when she has found it, refuses to let it go - even in death. The cast play multiple parts in this ‘deliciously dark horror-comedy’ in which bizarre science experiments gone wrong cause grave consequences. All screenings are presented in Stink-O-Vision scratch ‘n sniff cards. Celina details the film’s production, its influences, and its impressive effects. Contributor Adam Page explores the cultural ripeness of queer horror - its covert origins (the films of James Whale, through to the 80’s horror with subtextual impact from the AIDS panic) and the new, open and bold text in the current horror media spheres. Horror is a powerful playground for discussion of queerness, and always has been, here explored in classic films (mentioned examples including A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (1985) and vampire essentials such as THE HUNGER (1983) and Neil Jordan’s INTERVIEW WITH THE VAMPIRE (1994)). The piece also notes on recent literature and film theory regarding the topic in exploring the general move from queer subtext to explicit queer text within these films. Contributor Daniel Owens offers us a look into his experience of being young in the video nasty era, through an intimate retelling of his days spent in a friend’s hotboxed garage watching classic horror flicks and nasties. Daniel here dives into his introductions to ‘the more alternative sides of cinema and culture’ and where this led him in his exploration of film in life. He details a specific evening in which the film picked was Tobe Hooper’s THE TEXAS CHAIN SAW MASSACRE (1974) and discusses the film itself, its significance and the experience of watching it in that garage at 17 years old with his friends amongst the backdrop of the UK’s draconian Video Nasty panic. The piece is written so as to immerse you in his experiences and is a fresh addition to Culture’s range of published work. Park Chan-Wook’s erotic thriller THE HANDMAIDEN (2016) was presented by Dead Duck @deadduckfilm at Nottingham’s Savoy Cinema @savoy_notts. Writer Samuel Leary returns to Culture to review this event itself and dive deep into this powerhouse of a film. Contributor Ashley B Red (@ashleybredmusicofficial) attended @riocinema’s screening event, ‘Uncanny Sally’. The event was part of LSFF (London Short Film Festival). The cinema was covered in mannequins and the films were introduced by a wonderful young team who had curated these films together as part of the Femgore genre project. The films are ‘a collection of predominately female directed short films from the 1970s to the 1990s, exploring themes of the body, femininity and the unsettling strangeness of threat that many women feel in their everyday lives.’ Contributor Daniel E. Smith offers a deeply intricate and engaging exploration of British realist filmmaking and its transformations, and specifically focusing on Alan Clarke’s teleplay, DIANE (1975), which follows a 13 year old, the titular Diane, suffering with incest on a council estate. Janine Duvitski delivers a heart-wrenching performance as Diane, as she suffers her abuse and moves forward as she grows up. This piece assiduously and eloquently explores the form of British realism, Diane’s influences and Diane’s place in this sphere. Paul Scrader’s AFFLICTION (1997) is an underrated gem of neo-noir drama cinema, exploring generational trauma and interpersonal violence in the community. Ceridwen Millington writes on the tale of an abused man and what we can learn through experiencing a voyeuristic tragedy.

Culture Film Publication

Est. 2025, England

 

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